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How did you get involved in creating music ?
My Grandfather was a fiddle player/bar owner in New York, so I grew up around live music. He gave me my first tape recorder.
I started playing the electric guitar when I was 11 years old.
How did you end up using FL Studio ?
I started using FL a couple of years ago when I owned an analog 16 track studio. I had heard rumors about "virtual drum machines", surfed around, and found FL by accident. When I downloaded the demo and started exploring, I was stunned by the creative possibilities.
What does FL Studio mean in your current setup ?
FL Studio (plus a wave editor) is the only software I ever use now. I've retired my hardware sampler and sequencer, and since FL added audio recording, my rack mounted hard disk recorder rarely gets switched on.
What are the advantages & disadvantages of using hard- & software ?
I hate computers, but I love software. I don't remember how I managed without instant recall of mixes, or without automation.
There are a couple of hardware boxes I'll never let go of (compressors and favorite sound modules) but it's a simple matter to integrate those pieces with FL Studio.
Interesting links :
The Music In My Head Is Very Good.
Exclusive Interview With Meg Hentges
by Jody Beth Rosen
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FL Studio loop ...
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Check out this FL Studio project from Meg Hentges here.
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Who did you work with so far ?
Solo albums (with Jude O'Nym) :
"Tattoo Urge"
(Tim Kerr Records)
"Afterlaugh"
(Tim Kerr Records)
"Brompton's Cocktail"
(Robbins/BMG)
Current Projects :
Skidding Kitty, "Something About My Lucky Shirt", co-writer/producer
Funnel Club, "Hardcore Headspace", co-writer/producer
Co-operations :
Neo Boys, "Crumbling Myths" (Joe Records), guitars, vocals
Two Nice Girls, "Like A Version", "Chloe Liked Olivia" (Rough Trade UK), guitars, vocals, bass, mandolin, keyboards
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